πŸ’ Sister Act / Sister Act 2: Back in the Habit Blu-ray Review | High Def Digest

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She, however, only has her current job being hired by her married lover, Vince LaRocca (Harvey Keitel), to sing in his casino's lounge. She learns of Vince's true​.


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Well, because 'Sister Act' has all of the elements one looks for in an awesome 90s convent invading a Reno casino while mobsters try to chase them down. The montage sequence in the second film -- which focuses on.


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This item:Sister Act Original Soundtrack by Marc Shaiman Audio CD Β£ The first medley from the casino is not the one in the film, it has extra talking in.


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Sister Act is a American musical comedy film directed by Emile Ardolino and written by Arriving at Vince's casino, the nuns find Deloris after she escapes from Vince's men. the movie overall "plays like a missed opportunity" due to slow pacing and trouble integrating the organized crime scenes into a comedy film.


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Sister Act is a American musical comedy film directed by Emile Ardolino and written by Arriving at Vince's casino, the nuns find Deloris after she escapes from Vince's men. the movie overall "plays like a missed opportunity" due to slow pacing and trouble integrating the organized crime scenes into a comedy film.


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She, however, only has her current job being hired by her married lover, Vince LaRocca (Harvey Keitel), to sing in his casino's lounge. She learns of Vince's true​.


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Sister Act is a American musical comedy film directed by Emile Ardolino and written by Arriving at Vince's casino, the nuns find Deloris after she escapes from Vince's men. the movie overall "plays like a missed opportunity" due to slow pacing and trouble integrating the organized crime scenes into a comedy film.


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She, however, only has her current job being hired by her married lover, Vince LaRocca (Harvey Keitel), to sing in his casino's lounge. She learns of Vince's true​.


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Well, because 'Sister Act' has all of the elements one looks for in an awesome 90s convent invading a Reno casino while mobsters try to chase them down. The montage sequence in the second film -- which focuses on.


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Well, because 'Sister Act' has all of the elements one looks for in an awesome 90s convent invading a Reno casino while mobsters try to chase them down. The montage sequence in the second film -- which focuses on.


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sister act casino chase scene

Whites are solid, but black levels waver with slightly murky shadow detail. On that same note, detail varies as well. Are you starting to see why I love this flick so much? While not all of the sisters get much on-screen development or even dialogue the core trio played by Kathy Najimy, Wendy Makkena, and Mary Wickes are given some decent material to work with. While Goldberg and the returning nuns Kathy Najimy, Wendy Makkena, Mary Wickes, and Maggie Smith are all fairly likeable and still fun to watch, the whole film is ruined by a very contrived, asinine plot and a stock pile of one-dimensional teenaged characters. The print is in nice shape with only a few very minor specks here and there. The student characters lack any real semblance of development or actual personality. While the single disc presentation might alarm some fans, I didn't detect any notable compression artifacts and both flicks appear to share the space just fine. It might not be a must own title, but it's a damn good way to spend a lazy Sunday. Fearing for her life, she seeks help from the cops, who in their infinite wisdom decide to hide her somewhere the mob will never think to look -- a convent. Goldberg is great in her iconic role, and the silly but creative premise leads to some solid laughs. Why would winning a choir competition help save the school? So, has 'Sister Act' aged well in the twenty years that have passed since its release? Like many beloved and not so beloved high concept comedies from the 90s, the film features a wonderfully absurd but still not altogether unbelievable premise.

Why am I so excited? There are some impressive scenes mostly set under the glittering lights of Reno but the presentation isn't always consistent.

The first film's montage made me smile, both despite and because of its inherent cheesiness. Seriously though, I sister act casino chase scene do have a soft spot in my heart for this flick blame nostalgia and to this day I still think it's pretty damn entertaining. When sister act casino chase scene former sisters come to visit, they plead for her help, begging her to come teach music at the St.

In many ways, these two films perfectly demonstrate the all too fine line between slightly dated but still endearingly fun, and just plain bad. Well, despite a few rough edges, the answer is a resounding yes!

Don't get me wrong, for a twenty year old sister act casino chase scene title that's not exactly known for impressive visuals to begin with, the video is perfectly fine -- it's just nothing to get excited about.

Unfortunately, this level of detail and dimension is not consistent, and several other scenes offer a comparatively soft and flat look. The opening sequence set in Reno is actually quite impressive, with great clarity and depth Goldberg's sparkly sequined dress pops from the screen.

Here, however, the basic set-up that gets Goldberg back in her nun's outfit is pretty eye-rolling and extremely forced.

The source print is in good shape with no major signs of damage. Covered up in their habits and robes, all we see of the actresses are their faces, but man, what faces!

After some skippable trailers, the disc transitions to a standard menu. I may have cracked a fleeting smile here and there, but try as I might, there just isn't a lot to casinos columbus indiana. Then there's Wesley Glen 'Ahmal' James whose obsession with getting in touch with his African roots is supposed to be a recurring source of hilarity spoiler alert: it's not.

Blacks are calif casino indio, however, and overall contrast is fine.

There's really some decent filmmaking at work here, and the endearing cast sells the fun material. Even my six year old self could see right through this thoroughly mediocre effort when it was first released in theaters back sister act casino chase scene just a year after the original.

Much like the seven dwarfs, there's a nun for all tastes here, ranging from bashful to happy to grumpy to… Maggie Smith. I call her that because that's her only defining characteristic, and if her name was actually mentioned, I sure as hell don't remember it. I mean, just look at that cover.

Colors are usually nicely saturated, but can also look a bit faded. The montage sequence in the second film -- which focuses on Goldberg teaching the kids how to sing while forcing them to repeatedly chant "la la la" over and over again in different variations -- made casinos near indiana pennsylvania want to rip the disc out of the player, break it in half, and then jab each serrated piece into my ears.

Both films are presented on one BD disc, along with separate DVD copies of each movie, all housed in a standard case. The humor mostly derives from Goldberg's fish-out-of-water predicament, and watching her character struggle to deal with life as a nun is quite amusing.

Yes, I say! Now, I know some of you might be thinking, "But, Steven, according to your earlier assessment of the first 'Sister Act,' this film also contains all of the elements one looks for in an awesome 90s cinematic treat sans gunsso how can you not love it? Then there's the crazy climax that involves the whole convent invading a Reno casino while mobsters try to chase them down.

The packaging indicates that the release is region A, B and C compatible. Even after accepting that, the storyline completely lacks creativity and simply plugs Mary Clarence into a standard "charismatic teacher helping troubled students" movie. Formulaic and without a shred of originality, it just takes Sister Mary Clarence and throws her into a comedy version of 'Stand and Deliver' with all that silly math replaced by Catholic hymns.

Francis Catholic School. Sister act casino chase scene know, like nuns do. Forced to pose as a nun herself, Deloris becomes Sister Mary Clarence.

The premise of the original film certainly stretched reality, but was still believable. Following the conclusion of the first film, Deloris has become a successful Las Vegas headliner, using her unusual nun experience as part of her show. Some music and ambiance does bleed to the rears, but they add virtually nothing to the experience.

Still, the transfer is seemingly authentic, and should please most fans myself included. As she struggles to adjust to the nun lifestyle, she is asked to take over the church's struggling choir -- but just as Mary Clarence starts to enjoy her newfound calling, old threats reemerge. It's not exactly a classic though in my heart it always will be , but the movie isn't just some forgettable catalog title that stars Whoopi Goldberg dressed up as a nun. To further this point, one need only look at both film's montage sequences. Damn it! Sure, some aspects of the production are a bit dated, and while I recently harped on other catalog titles for similar issues ' Born Yesterday ' , there's one big difference here -- 'Sister Act' actually remains a genuinely funny movie. The sequel features a steadier but more underwhelming video presentation. Of course, the true highlight here is a cheesily awesome montage sequence that showcases the nuns doing what nuns do best -- namely feeding the homeless, running a daycare center, painting over graffiti with more graffiti, jumping rope, and… fixing cars. Unfortunately, the audio is very front centric and surround activity is never noteworthy. Grain levels are natural and stable throughout. Whoopi Goldberg dressed in a nun's outfit wearing sunglasses -- who are you to resist that?! Lacking most of the charm and creativity that helped to elevate its predecessor, this follow-up is just dumb. Still, you bring up a good issue. Video Score: 3. There's the sarcastic slacker that everybody calls "Fran-kay. Vocals and dialogue are clear and clean throughout. The expressions they make are hilarious, especially Maggie Smith's repeated looks of horror in response to basically anything Goldberg says or does. Serviceable but a little disappointing, both films feature very similar mixes that suffer from the same front-loaded sound design and lack of immersion. English SDH and Spanish subtitles are also available. We get the requisite "pretty girl" who likes to comb her hair played by a young Jennifer Love Hewitt. With that said, there are some minor issues with the image that seem to stem from the source elements and original photography. After witnessing a murder ordered by her mob boss boyfriend Harvey Keitel , a Reno lounge singer, Deloris Van Cartier Whoopi Goldberg , goes on the run. It's a memorable catalog title that stars Whoopi Goldberg dressed up as a nun. Unfortunately, detail never reaches the same heights as the first film's more impressive moments, and clarity remains rather soft. Well, I don't have any of those for this pitiful attempt at a sequel. Any real sense of dimension is also rare, and the image holds a flat, often washed-out appearance with dull colors. Francis is going to be closed, and sets off to help the students win a choir competition in hopes of saving the school. The only character who gets a shred of development is Lauren Hill's Rita, but even then, her character's arc is nothing but a regurgitated template that involves her mother's disapproval of her singing something tells me she'll probably come around. The entire ensemble, even the glorified extras -- actually, come to think of it, especially the glorified extras -- are all memorable and offer distinct personalities and quirks. Though the transfer is free of any unnecessary manipulation, the image is still middling. Though reluctant, Deloris accepts the offer, but since just seeing Whoopi Goldberg teaching kids in her regular get-up isn't enough, she is asked to once again don her habit and pretend to be Sister Mary Clarence. Think 'Stand and Deliver' or 'Lean on me,' only… not good. Things were going so well there, Touchstone, but then you had to go and sully my disc with this nonsense. Famous for its coupling of traditional choir music with pop sensibilities, the movie is home to some fun "churched-up" renditions of classic tunes and remixed versions of standard hymns. The writers also resist the urge to become too outlandish, and for the most part, the whole affair is treated with a suitable sense of realism. OK, that might be a bit of an exaggeration, but it is pretty groan inducing. Much like those diehard ' Godfather ' fans who refuse to acknowledge the third movie, I too refuse to acknowledge this mediocre entry in the 'Sister Act' canon. The sisters scurry about the slot machines while perplexed gamblers -- and the movie-going public -- look on in amusement. With a premise like this, the movie could have gone either way, but thankfully Goldberg helps steer the ship in the right direction, coming away with a sweet, funny little flick that still makes me chuckle. You know all those warm, fuzzy feelings I have for Sister Mary Clarence's first cinematic outing? Grain is present and natural looking throughout, but does fluctuate in degree from scene to scene, sometimes looking light and unobtrusive, and other times looking a bit heavy. Your guess is as good as mine. Movie Rating: 3. In fact, I've been humming the catholic hymns all week, which should make for interesting conversation during the Cohen family Shabbat dinner. Speaking of Goldberg, she carries the picture with wit and class, and the film reveals some real heart as she starts to bond with her fellow sisters. The culture clash leads to some great reactions and uncomfortable situations, and unlike some other similar efforts, the script actually makes the most out of the silly concept with a few inspired but never mean-spirited jokes that chronicle the choir's journey from total ineptitude to rock-god status. Even more clever is a rather sleepy young man nicknamed "Sketch," because he likes to -- yes, you guessed it -- sketch.